I’ve yet to be overtly critical with any of these images. Sometimes every image on the roll says a little something. I usually figure out that ONE shot after I’ve had a chance to divorce myself from the day, the editing and the here and now feeling when the shoot is still so fresh in your head. Merrique is an amazing model and that makes the editing process that much harder.
I had been looking at this door at the Casa Dracula for quite some time online. I thought Merrique and I were going to get in the car and drive to the boat dock in La Paz and head over to one of the islands for our shoot, but Todos Santos kind of kept me from leaving… (you can never leave…) and maybe the pink champagne on ice had a thing or two to do with that, but I really think it was the heat. Heat that I’m missing right now. brr!