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fine art nude Hotelito

Claudine ~ Shoot 3 October 25

© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine
© 2011 Zoe Wiseman - model: Claudine
© 2011 Zoe Wiseman – model: Claudine

I loved the Hotelito for all it’s stark shooting situations and shady spots too. Who needs a backdrop when there’s an abundance of natural light and beautiful vivid walls? I knew it would be good shooting when I looked at it online before arriving and definitely was happy when I arrived. I’m enamored by modern architecture and bold lines.

I worked all week with my Nikon FM 35mm and my Rollei. Little cameras that didn’t weigh very much so I wasn’t carrying around tons of gear in the heat. Plus I was scared to pack up my 4×5 with all my Polaroid film for fear Mexican Customs would hassle me on arrival. On the way home at the airport when they were searching my bags before departing they didn’t know what 120 film was, so I may have had a hard time explaining Type 55 Pos/Neg film to them and Sodium Sulfite. Though Steven Billups managed to bring in all his Polaroid film. Though I was happy with all the work accomplished with my little cameras. I ended up shooting more and going back to the camera set up I learned on.

Claudine and I worked together back in 2008 during the 29 Palms festival with my 4×5, so good that I had something different with me to get a different look. We had the opportunity to work together twice this time around. This is our first shoot. We didn’t wander too far away from that fabulous swimming pool. Shoot 10 minutes, jump in, shoot 20 minutes, jump in again… that was my week really. Claudine is quite an enigma, in a good way. She seems so unassuming in person but when you point a camera in her direction this intense confidence pops out and lends itself to inspiration. She’s great to work with!

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