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Carlotta at the Todos Santos Inn

With the predominance of my shooting whilst in Mexico was done at the comfortable confines of the Hotelito, I did have the opportunity to work at the Todos Santos Inn. Such striking contrast between the two locations, from old world style to modern design.

The majority of the work will end up being presented in a series format to be posted at a later date. This post I am presenting a small handful of individual images to showcase our time there. Carlotta and I had previously worked together in Vancouver back in 2007 and was a fantastic experience. This time around was no different. Thank you Carly πŸ™‚

Alas… the photos… and more to come later on.

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The Stairs…

One of the great things of a group gathering is to work with and/or share time with other fellow artists. Many with various perspectives and intentions. The one potential downside is the potential of photographers to utilize the same or similar backdrops (whether natural or manmade).

In this case, the stairs of the model house at the Hotelito. The model house had so much potential and for the most part was well utilized by most.

Samantha and I worked on the stairs inside and made some wonderful looks. When photographing this area, I was to make this into a saris. I ask posting individual images from this perspective (among others images posted) but the intent is a collage, to be continued at a later date.

With that said… enjoy!! πŸ™‚

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The Cannery…

For the most part, my time shooting in Todos Santos was kept to the confines of the Hotelito and a couple of times at the Todos Santos Inn. Fantastic locations they are, but was nice to take advantage of something different and wandered to the infamous ‘Cannery’ where pretty much everyone else ventured to.

That said, it exposed so much to the artistic eye and the cool thing I noticed from the previous posts is that the submissions are unique to whomever has shot there. A brilliant location, and thank you to those who shared it as I was not the first (if any, the last) photographer to shoot there.

Keira and I seemed to have threatened each other to work together for some time now. Finally, it came to fruition in Todos Santos, and a perfect experience was brought about.

Entering inside the location, it was obvious the void of spirit and a time gone past was evident. What I hoped to capture there was an essence of this, and Keira gave me a lot to work with. Thank you Keira!! πŸ™‚

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International Part 3

Having Tara and Emma in International parts 1 & 2 respectively, Anne makes up the finale of these overseas collaborations.

While staying at the Hotelito the days prior to our shoot, I was in admirance of the architecture about the place. Having spent copious amounts of time in or around the pool, I loved how the wall lights lit against the static walls within the pool compound, and the casting of shadows it produced as well.

This inspired me for a dusk/dark shoot to exploit these qualities. Anne was up to the challenge and was brilliant. The beauty part of the shoot was that even during the evening, temperature was not a factor (YAY warm climate). We took advantage of what light was barely available to capture some slow shutter work with the hammock. The remainder was exposed to whatever the lamps gave us.

I did have some focus issues, which made me a bit sad. Regardless, I was stoked with what came from our work. It was different from the norm which was very cool.

Here are samples from our collaboration. Enjoy!! πŸ™‚

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International Part 2

The title “International” depict the models outside the North American region (an attempt to be clever, lol) with whom I worked with in Mexico. This entry is describing the work with Emma.

We worked around the parameters of the Hotelito. We shot 5 rolls of 120 (645 format) during that time. During our shoot, I used for the first time a lens which I had purchased a few years back but never utilized. It has a built in shutter and has a certain purpose which I don’t particularly know exactly but came with the camera I had bought. Not realizing I had it on a setting which did not open the shutter when I depressed the trigger on the camera, 2 of the 5 rolls Β were blank. This makes Ron have a sad face πŸ™

Regardless, we garnered some awesomeness taking advantage of the lines of architecture and motion of clothing/prop. So definitely not all lost. But will always wonder what those other two rolls were to be.

Loving the cross-continental collaborations!! Thank you Emma!! πŸ™‚

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And so it begineth…

The memories are still quite fresh of the time spent in Todos Santos with wonderful friends, some long time and some new. A most magical place which will need to be revisited in the future as I saw only a fraction of what magic it has.

All rolls have been developed and images scanned. Roughly about halfway through the editing and though some of it was ready for presentation a couple of weeks ago, decided to start the posting of work from Mexico in the new year, which is of course, today πŸ™‚ ***due note, Australians had to suffer the wait until the 2nd, ;)***

Normally I do my edits in order of who I photographed first but this time around I decided to draw names out of a hat and the first was Candace. We have worked together numerous times since 2005, both at the Zoefest gatherings and visits to British Columbia. Outstanding model as we all know and never a dull moment.

We shot later in the week and utilized the exteriors of her room. The brick had a lot of character with nice lines and textures. The stucco made for a nice blank canvas for Candace and who is now known as Paco to do their magic.